A flutter of Butterfly Bookful photos & feedback

Dear Everyone ~

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Butterfly Bookful of Botanicals, the third workshop series Cat Bennett and I have co-taught, wrapped up at the end of April. The sessions—four Saturdays via Zoom—took place as Spring was springing. It was the perfect time to begin venturing outside to breathe deeply and observe & draw from nature. (I love Cat's playful colour pencil drawing above.)

I’ve since received many emails from students, heartfelt and, for me, heartwarming. For some of them, Butterfly Bookful was their first workshop series with Cat and me; others have taken all three of our Bookful workshops. As the co-instructor, I bask in the enthusiasm and creative camaraderie I sense with our students. It’s thrilling to me that students also feel this, from all over the planet! In April, we had students join us from Austria and as far away as Australia. Quite an A List of attendees!

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Below are snippets from some of the lovely notes I’ve received about Butterfly Bookful. I can hear the voices of these students in my head and my heart. The combination of appreciation, affection, and personal revelations bathe me in delight. I am endlessly thrilled (Yes, I admit to re-reading these notes for a quick pick-me-up) to be making these connections far & wide via Zoom.

Happiness is kits of Bookful materials sent via USPS to British Columbia and Austria and Australia...that arrive lickety-split in perfect condition and much more economically than you might think.

Double happiness blooms when I receive photos from students who have gone on to make more and more books using supplies they have on hand. And I’m always overjoyed to receive requests for extra kits of workshop materials. (The floral double-happiness blooms directly below are by Lesley in California.)

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From Karen in Florida (3-time Bookful student)

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“ Look how great all of my Bookful books look together!! I enjoyed the butterfly stitch, and think I'll order some paper to make more books. Such a fun and calming thing to do! I like how the books became journals of our last sort of strange year and the different activities that were done during that (and this!) time. ” [Admire Karen’s books above.]

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From Jane in Michigan (Bookful first-timer)

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“ The Bookful series has made me look at flowers in a new way. My first flower that I noticed was a periwinkle, and I thought I knew what it looked like until I began drawing it for my book. I had the leaves wrong, the proportion out of sync. That's when I began examining my flowers and was so amazed at the detail...they were little miracles. I have added more flowers [to my book] during the summer and am trying to be less judgmental of my painting and focus on the joy that I feel as I discover the wonders of these colorful plants and how they are so different, delicate and delightful. ” [Admire Jane’s trio of drawings above.]

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From Lesley in California (Bookful first-timer)

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“ I enjoyed the book-ful class as much as I had enjoyed Introduction to Bookbinding the week before the workshop series began. I took Bookful primarily to learn how to stitch a spine. I have now made seven books in this style and I’ve given one as a gift! Cat’s sessions to fill our book were a great deal of fun. I love drawing flowers and especially enjoyed the warm-up sessions, so much so that I incorporated the exercises into my book, sometimes as pockets—which I thought added an interactive quality to the book. ” [Admire Lesley’s carrousel of books above.]

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From Barbara in Chicago (3-time Bookful student)

“ As I look over my books from each class (none of them full! all of them happily in progress!) they all confirm what Cat said to us more than once—that it would be great to be able to look back at our work and see what we saw. The biggest revelation for me was how much I enjoy 'drawing' with watercolors, which previously intimidated me quite a bit. As outside life becomes busier, I look forward to continuing to return to the excellent habit of taking time to breathe and look and make marks. ” [Admire Barbara’s watercolour drawings above.]

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From Gabriele in Austria (Bookful first-timer)

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“ Your instructions were clear and easy to follow and the materials a real treat. I have since worked with Cat's suggestions and exercises quite a few times to draw flowers, fruit and vegetables. The blind contour exercises were particularly helpful for me to just relax and let the pen do the drawing. The group spirit was really palpable even across all those miles. I enjoyed the workshop immensely. Still enthused! ” [Admire Gabriele’s book and several post-Bookful drawings above.]

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From Alison in Chicago (Bookful first-timer)

“ Generally intimidated by making art, I’ve taken only a few art classes over the decades (most for only an afternoon). But this seemed like fun, and, boy, did I learn a lot: It’s about the process, just do it, and do it often, and do the same thing over and over. ” [Admire Alison’s watercolours in her book above.]

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From Becky in Evanston (Bookful first-timer)

“ While my drawings clearly look like the novice that I am, I found the act of drawing to be relaxing, absorbing and…fun! I realize now how many details I miss by not really looking at an object closely...as closely as one must look if they are drawing that object. These observations have begun carrying over into my regular life. My plan is to begin taping some drawings into my book. I am determined not to have this book remain empty like a few of my others.;) And your videos are a gift. ”

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From Lorraine in British Columbia (3-time Bookful student)

“ Again Bookful was wonderful! A quiet contemplative time looking and drawing in our beautiful books. Your instructions were so clear, and I loved all the choices of thread and arranging the coloured papers. Cat is so inspiring, and gives us the opportunity to play and enjoy our art. So well organized too!! I said to my husband today, ‘Thank goodness for this class—it gives me such a sense of possibilities.’ ” [Admire Lorraine’s watercolours above.]

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From Susan in British Columbia (3-time Bookful student)

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“ I just realized that today was the last day of the workshop. It was so much fun! I learn more every time and it builds. Bari, I'm doing another book using the Cambridge papers I bought from you!!! Will you do another Bookful soon? Thanks again, you make art fun and inspiring. ” [Admire Susan’s Cambridge-covered book and drawings above.]

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Cat & I have enjoyed percolating about our next Bookful adventure, which I’ll announce next week. Hint: an ambitious book structure. Twint: delicious drawing exercises. Stay tuned for gourmet details!

Until then, Bari

Crumpet Fanfare for Uncommon British Papers

Dear Everyone ~

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I’m chuffed to present a quartet of new & newish British papery pleasures, STARting with Cambridge Imprint’s Garland of 36 Stars. The keepsake box, lined in luscious heliotrope, contains thirty-six different patterns of 6 x 6 papers to make an equal number of double-sided, five-pointed origami stars. The only tools you need to have in hand are a sharp pair of scissors and a needle & thread (for garlandizing). These are a joy to make and to festoon.

Scene here: Our friend Robb (who has large hands, great dexterity, and impressive attention to small detail) folded and configured seven stars to look like gymnasts standing on each other’s shoulders. And if you look closely (at top), you’ll observe that the area between the stars is a precise pentagon, echoing the small backside pentagon on each star (below)! Stellar serendipity!

Also from Cambridge Imprint are three new palettes of petite labels, which we couldn’t resist naming: Turkish Kitchen, Grade A Gray shades, and Sublime Maritime. We’ve packaged one sheet of each with a trio of sheets from our original set: Menswear, Vibrant Blooms, and Mixed Greens. These petite labels are great for writing (or typing) small addresses, labelling preserves, titling file folders or notebooks, or sealing a flap.

I’ve been enamoured with Welsh artist Lisa Hardy’s watery watercolours for many moons, and was so thrilled when she announced that eight of her works were being offered as notecards! Her botanicals are light & breezy, with a sunny splash of whimsy.

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Elaine Pamphilon is an artist from St. Ives, a seaside town in Cornwall. Her postcards’ titles are as charming as her paintings: Orchid from Ellen, bean pod and blackbirds on the lawn; Meadow flowers in vintage blue jug; Small flowers from the cliff; Dark primulas from the farmers market St. Ives Cornwall.

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Whilst sorting through my cache of cards and other papery delights gathered on past travels, I rediscovered a couple of Elaine’s notecards. Her bouquets in jugs and potted plants with teacups are so tranquil. Seeing the cards again motivated me to begin searching for some for the shop…to no avail. Then, out of the blue (like sunny skies!), Elaine commented on one of my Instagram posts, and we embarked on a charming e-xchange. And now, we have a set of four postcards to offer!

Cambridge Imprint Garland of 36 Stars
Cambridge Imprint petite labels
Breezy botanical notecards by Lisa Hardy
Floral postcards by Elaine Pamphilon

Cheery, Bari

First glimpse: Glimpses & Whimsies of Bari Zaki Studio

Dear Everyone ~

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I’m a bit giddy to announce Glimpses & Whimsies of Bari Zaki Studio, a set of ten large postcards. These were many moons in the making & collaborating with two dear friends, artist Janet Bouldin and my postal muse, Alyson Kuhn.

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The postcards are my third collaboration with Janet. First, I commissioned a quartet of watercolour illustrations, which we titled Tableaux postcards, depicting quiet domestic pleasures. Then, Janet started experimenting with scraps from Serizawa calendar page scraps left over from my bookbinding projects. These became a series of beguiling teapot collage cards. Seeing her personal artwork presented as Bari Zaki Studio products was such a thrill for both of us, and this inspired me to ask Janet if she’d be interested in drawing a few objets in the shop. She replied:

“ For me, the shop is magical. Each time I visit, something different catches my eye to delight and inspire. I would love the chance to share some of my favourite Bari Zaki Studio vignettes. ”

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Meanwhile, Alyson Kuhn fairly leapt at the prospect of writing descriptini for the backs of the cards. Janet’s illustration of my shop front makes my heart sing. Several weeks ago, Alyson enlarged that illustration and made it into...an envelope, which she mailed to me! (This “backless” envelope style is one that Alyson & I showcase in our More Art of the Hand-folded Envelope kit.)

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Alyson is a wordsmithing marvel, and we have collaborated for many, many years. As Janet was busy illustrating with pen & ink and prior to watercolouring, Alyson suggested keeping a couple of the drawings uncoloured, reserving that pleasure for you or your recipient.

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Scene here: I am colouring the You are the hue postcard with the Lyra Colour Giants. I spent many a moment hemming & hawing & even humming over which three colours to use. The palettes are numerous and possibly endless. I eventually settled on Bright Autumn Yellow, Orange Crush, and Light Rose. These are the lyrical names of the Irish waxed-linen threads, not the Lyra’s names, so as not to confound you!

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The descriptini on the backs of the cards are more than mere icing on the postcard cake. They are more like postcard poetry. They are almost, as one dear customer quipped years ago, haikuhn!

You are the hue.
Delight to dye for. You can colour these
spools whilst chatting or zooming.

Each set of cards is wrapped with a paper band (of handsome Hahnemühle Bugra) featuring an original unique illustration by Janet. “Original” means a charmola tiny treat watercoloured by Janet directly on the wrapper, a glimpse of Janet in action! Might you do anything with the band? You might, because it is simply washi’d at the back, so you can liberate it intact, to do with as you will, or whim!

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The postcards measure 5 x 7 inches, fitting perfectly in an A7 envelope, should you wish to add a layer to your mailing or presenting. The postcards are printed on super-heavy Mohawk Superfine (130 Cover). The envelopes are toothy Hahnemühle Bugra, with a crisp square flap. Sets are available with or without envelopes.

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Glimpses & Whimsies of Bari Zaki Studio

Happy collaboratee, Bari

Online & on time: My Midsummer Studio Sale!

Dear Everyone ~

In a matter of moments, 10am (CDT) to be exact, my midsummer studio sale will go live. Nota bene: Today is actually my sixth anniversary of opening the studio shop on Lincoln Avenue. Now we are six! To celebrate the occasion, I will include with every studio sale order a petite glassine of six vintage snail mail-themed U.S. stamps. They total more than enough (65¢) to mail one First Class envelope to a nearest or dearest. Or divide & conquer decoratively, on an envelope flap, a gift wrap, an epistolary collage.

Individual items will prettily populate the 2021 Midsummer Studio Sale page for the coming 9 days, including some delicacies that have migrated from the regular shop pages, at handsome reductions. For any enthusiasts who suffered a “ribbon reversal” at the last sale: Please note that the bag isn’t really in the bag until you have paid for it. Putting it in your virtual cart isn’t the same as putting it in your pannier, if you see what we mean. So, you might want to bag your ribbon and then go back to browsing the rest of the sale.

As always, if you have a question, you are welcome to email or text, and I will do my level best to get back to you pronto-ly. The sale will continue through next Saturday, July 3. Orders will ship promptly, and curbside pick-up will be available Tuesday through Saturday from noon to 5pm.

2021 Midsummer Studio Sale

6-5-4-3-2-1, Bari

Sail into our Midsummer Studio Sale!

Dear Everyone ~

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I am excited to announce that this Friday, June 25, I will open my midsummer studio sale, a week-long celebration of my first six years on Lincoln Avenue. It will go live at 10am (CDT) and continue through Saturday, July 3.

A temporary 2021 Midsummer Studio Sale page at barizaki.com will present all items on offer. To whet your wish-list, behold a preview, bright & bold as a beach towel!

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The buffet of Bari Zaki books presents a sumptuous assortment of binding styles, from buttonhole-stitch with vintage correspondence covers, to case-bindings covered in a vintage Serizawa calendar page. Also: one deluxe Long-stitch-link-stitch book with two stitched-in handfolded envelopes. A beauteous book to behold, a voluptuous volume to view! And to touch. And to use!

Two special boxes made by me will also be in the desk deluxifying mix: One drop-spine box covered with Japanese paper & smooth linen bookcloth. And one simple keepsake box—3 x 3 x 3—covered in two shimmery Japanese chiyogami papers.

We have assembled a fresh supply of our sumptuous signature ribbon bags in a breathtaking array of palettes, from springy to summery, and dressy to casual. Each bag holds at least six beribbonments of various widths, styles & textures. All lengths exceed your arm span.

Desk accessories to dress up your desk: Sets of memo-note holders and pencil caddies with matching pencils, all covered with Japanese chiyogami papers. Fountain pen inks from France & Japan, and sturdy Euro-folders cleverly crafted from Fabriano Murillo paper, imported from Germany.

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A smattering of ’smarvelous miscellany will migrate from the online shop to the 2021 Midsummer Studio Sale page, at handsome reductions. Once they are gone, they’ll be gone for good. Poof! No spoof.

The complete gallery of individual items will prettily populate the 2021 Midsummer Studio Sale page at 10am (CDT) this Friday, June 25. The sale will run through the following Saturday, July 3.

2021 Midsummer Studio Sale

The early bird bags the ribbons, Bari

A delightful double-bind

Dear Everyone ~

Back in mid-April, I received a lovely call from a gentleman in Texas about a Mother’s Day gift for his wife. She had a treasured cache of personal letters she’d received from friends and family after a spiritual retreat back in 2008. These very special notes had been kept together in a brown bag in his wife’s nightstand. He envisioned some sort of book that would preserve and protect the letters as a set, that his wife could easily open...and reread whenever she was so inclined.

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A beautiful box with an interior ribbon “lift” was absolutely not what he had in mind. He wanted to give his wife a book, and his aesthetic central point was to incorporate the colours of the LGBTQ rainbow, honouring his wife’s consulting work focused on LGBTQ+ inclusion, affirmation, and allyship. She has turned her passion for equality into a profession, reaching hundreds of individuals within corporations, schools, health clinics, and social groups, as well as in the broader community.

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I instantly accepted the commission, despite Mother’s Day being just two weeks away. I percolated overnight on how best to present the cherished missives, and received the actual letters the very next day. As I carefully sliced open the padded envelope, revealing the bagful of letters, the inspiration came to me in an instant. Because the missives from family & friends are so personal, I felt that essence needed to be preserved and elevated. They needed to remain enveloped!

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He was understanding and also excited to see how the process unfolded (irresistible envelope pun), and requested that I send him photos documenting the steps, which was my absolute pleasure. He made a photo collage from parts of the images—so as not to give away the surprise—to let his wife know something special was in the works.

I made 22 envelopments from creamy Stonehenge drawing paper and was able to retain the dreamy deckle for the flap. I also had each sender’s name calligraphed at the bottom left edge of its envelope, so that his wife could flip through each envelope and know whose letter was where.

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I stitched in the envelopments using the multi-needle Coptic-stitch binding with Natural Irish waxed-linen thread, so as not to detract from the colourful cover. This binding style allows the book to open entirely flat, so the envelopes can be opened perfectly easily.

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As soon as the book was finished, I shipped with priority speed. A few days later, I received an email reporting “The book was very well received and it’s sitting on display in our bedroom bookcase right now—as opposed to in a box under the nightstand. Much surprise and much delight at what you were able to design!” And “She saved the string you used to tie the book and that’s how it now sits. BTW, the color choices were spot on—she thought the muted rainbow was the perfect choice.”

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Projects such as these are among my favourite sorts of collaboration. I typically don’t know the person or people being honoured or celebrated or cherished, but I am an ardent believer in the power of paper to help tell a story, whether it’s intimate or corporate, romantic or nostalgic. In the Project Gallery on my website, you can take a behind-the-binding tour of diverse commissions, from Johnston: a family memoir to a Madly Romantic Scrapbook.

May you be inspired, Bari

My proper popper production party

Dear Everyone ~

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I am in kit assembly mode for Buttoned-up Elegant Envelope Booklet, my newest group workshop via Zoom. It debuts on Saturday, June 26, the first Official Weekend of Summer. This workshop combines several of the most basic bookbinding techniques, plus envelope-making without a template, plus smoothly attaching a string & button closure. Voilà: You will make an elegant single-signature booklet with a stitched-in hand-folded envelope & a deluxe outer envelope in which to present (or keep) your booklet.

As with all of my workshops, you receive a hand assembled tactile kit of lovely papers, threads and accoutrements—everything you need to create your oeuvre. For group workshops past, I have partially pre-folded the papers to ensure they arrive in pristine condition. For this workshop, I’ve decided to roll your papers (like a party popper) so that you will have the option of using either colour for either structure. The most challenging part of the workshop may be deciding which of your two colours of luscious Saint-Armand stock to make your booklet with, and which to make your presentation envelope with.

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When your proper popper parcel arrives, simply unroll and flatten your papers under a few heavy books for a day or two. They will unfurl perfectly.

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Your kit of materials includes two shades of Saint-Armand, two pre-cut sheets of creamy Stonehenge drawing paper, three colours of waxed-linen thread wound on a piece of bookboard, and four very cheerful buttons. I have assembled three earthy palettes: Nantucket, Sonora, and Mesa.

This is a wonderful workshop for all levels of experience. It is a great introduction to several aspects of bookbinding and envelope-making; it’s also an excellent refresher for measuring, scoring, folding, stitching, and enveloping. I will record the workshop live in its entirety, and the recording will be available later the same day. The recording remains up for several weeks, so you can feel quite comfortable making more books at home on your own.

If you register by Tuesday, June 15, your papers will arrive with plenty of time to relax completely by the 26th.

June: The Debut of Shopping In-person

Dear Everyone ~

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I’m delighted to announce that beginning Tuesday, June 1, my brick-and-mortar-and-paper shop will be open by appointment, Tuesday through Saturday from noon to 5pm.

The studio shop has been closed to indoor shopping for many moons. Last summer, I was open briefly by appointment, but then realized that curbside pickup was the most prudent option for the time being. Finally, it’s looking like there are rays of light shining on getting out & about, and gathering with family & friends, and it’s a wonderful feeling.

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As the shop itself is quite small and the space for social distancing minimal, I’ve decided to limit each appointment to one personage (two people can count as one personage if you’re related or in the same bubble). Naturally, formal mask-wearing attire will be required.

If you’d like to set a date to visit, please feel free to call or e me to schedule a time, especially if you are traveling from out of town, so that I don’t miss you. And if it happens to be on a whim, I will do my best to accommodate your timing. Curbside pickup remains available, and I will be delighted to take your order via phone.

Workshops will continue only via Zoom for the foreseeable future. And I am musing on what lovely book, box or envelope structure to offer next. Cat Bennett & I are pondering our next Bookful series of workshops, which we will announce in July. And my dear friend Angela Liguori—she of the luscious Italian cotton ribbons—& I are also musing on a group Zoom collaboration for the fall.

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I am, as always, in deep bow for the ongoing connections around the globe and down the road, via technology, curbside pickup, and snail mail. Your continued support and enthusiasm for my work & shop have made the sheltering season unexpectedly memorable in the most meaningful ways. Thank you!

Looking forward to hearing from you soonish & seeing you thereafter!

~ Bari

New Zoom: Buttoned-up Elegant Envelope Booklet

Dear Everyone ~

I’m enveloped in delight to debut my new group Zoom workshop, Buttoned-up Elegant Envelope Booklet. This structure builds on the basic skills of Introduction to Bookbinding—measuring, scoring, folding, and hand-folding paper. It is a small step up to make variations on the stitched-booklet theme. I hope you can join us on Saturday, June 26, at 10 a.m. (CDT).

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The booklet you will make in this workshop combines bookbinding and envelope making without a template, all with heavy Stonehenge drawing paper & luscious 100% cotton Saint-Armand. You will also learn how to stitch an unfolded envelope into a booklet prior to sealing the side flaps. Next, you will make a lovely presentation envelope for your booklet, adding a layer of loveliness to the ensemble. And for the finale, you will attach charming string-and-button closures to both envelopes.

The kit of materials includes two shades of Saint-Armand (You can choose which to use for your booklet covers and which to use for your presentation envelope.), two pre-cut sheets of creamy Stonehenge drawing paper, three colours of waxed-linen thread wound on a piece of bookboard, and four very cheerful buttons. I have assembled three earthly palettes: Nantucket, Sonora, and Mesa.

This structure is a marvel of multi-utility: Currently, I’ve configured mine as a correspondence-on-the-go mini-kit. The interior envelope is large enough to hold several postcards, as well as larger scraps of paper to draw and write on. The covers’ two interior pockets hold labels and postage. When I’m out & about, I enjoy tucking the booklet into the sturdy presentation envelope to protect it.

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Even though I miss the creative camaraderie of in-person workshops, teaching via Zoom has provided two major benefits for students. First, enthusiasts from anywhere on the planet can sign up for a workshop, which they can take in their pyjamas. Second, I now routinely make a “distilled video” in advance, detailing the steps for making a given book or box (about 30 minutes) and email this to students immediately after the workshop. The videos have definitely enhanced students’ ability to make more books at home on their own. Although I wouldn’t recommend the video as a substitute for taking the “actual virtual workshop,” they are such a complement—and, yes, I have received quite a few compliments on them!

I look forward to sharing my love of paper, books & hand-folded envelopes with you in this new three-ish hour group Zoom workshop.

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Introducing the younger generation to bookbinding

Dear Everyone ~

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The Introduction to Bookbinding workshop that debuted this past March was my first solo Zoom. I was beyond delighted that it was so well received from coast to coast, as well as with such a diverse age group! Remarkably my three youngest students ever were all in this workshop: David, aged 21; Rachel, aged 14; and Martin, aged 12.

Of course, I was intensely curious about their previous workshop experiences. Happily, they all agreed to share their oeuvres and to answer my questions about attending their first bookbinding workshop, and what it meant to each of them to make their first book.

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In last week’s blog post, I featured David’s thank-you ensemble: a pair of noteworthy envelopes, the inner one hand-folded from a vintage book page, the outer one beautifully lined with a bird’s eye view of Paris. In his missive, he writes about his experience.

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“ I found it easier than I expected; the creation of a book is not so far removed from that of an envelope. I also look forward to using my new tools for envelopes! I hope to have the chance to take more classes with you in the future! ”

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David has also sent me photos of his worktable. He rates the bonefolder as his favourite tool. He awards second place to his shipping clerk’s knife “because it’s very satisfying to cut with!”

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Rachel & Martin are siblings. Rachel selected the Primavera palette and Martin decided on the Terrain palette. Though they worked at different paces, they enjoyed taking the workshop together. Rachel comments:

“ The pace of the workshop was fine, it wasn't too fast or too slow, and I was able to keep up with the steps pretty easily. As I was able to finish my booklets during the class, I didn't need to watch the video. But I overheard some parts of it when Martin was watching it and finishing his second book. ”

Martin deems the bonefolder his favourite tool “because it made nice creases and folds.” He adds:

“ The pace of the workshop was just right. I watched the video again because I forgot some steps in making my second book. The video was very helpful. I will use my books for photos taken when I was traveling before Covid—and I will add photos after Covid. ”

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Rachel selects the shipping clerk’s knife as her favourite, “because it was cool to cut through paper that was previously scored, and it was one of the tools that was new to me.” She looks forward to using her books “for drawings and possibly watercolour.”

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It thrills me that all three of my youngest students had such a creatively inspiring time and look forward to making more books. Rachel’s parting comment truly warms my heart:

“ I learned how simple and easy bookbinding is, and will definitely want to try other styles of books and binding techniques in the future. ”

The Introduction to Bookbinding structure is a single-stitched signature booklet with two envelope pocket covers. This has inspired me to devise a new group workshop (via Zoom), which I will announce next week. Hint: bookbinding + hand-folded envelopes = Bookelopes.

Inspired, Bari