A Rio Grande Day at Bari Zaki Studio

Dear Everyone ~

I’d like to tell you about meeting & teaching Raquel, my new bookbinding friend from Brazil.

We met last spring through Instagram, after I’d posted an image of a book I’d made with a limp-vellum binding. Raquel insta-messaged me that she'd love to buy the book, but we found that the shipping, on top of the exchange rate, would take all the fun out of it.

Then, I scrolled through her feed and saw that she had experience making books. When Raquel told me she already had a summer visit planned to Chicago, I suggested that she take a private workshop ... and then not only would she have a limp-vellum book she had made herself, but she would also know how to make more!

I knew from Raquel’s insta-messages that she is very chatty, and comfortable communicating in English. She is a ball, or maybe a whirl, of enthusiasm. Her husband is Japanese, but wasn’t born in Japan and doesn’t like sushi.

On the appointed day in July, Raquel settled in, perused the shop and studio, and promptly posted a story on Instagram about being here. She had brought me a gift of Braziliana—coffee and cashews—in a tote bag she’d sewn herself. In person, Raquel has a delightful accent and a hilarious sense of humor.

When we started to work, I discovered that Raquel was even more nimble than I’d anticipated, so I adjusted the way I taught her. For some steps, we worked in tandem; for others, she took copious notes as she followed my lead. More than once she taught me some things! And her book turned out so beautifully.

My absolute favourite descriptions from Raquel’s follow-up emails were: “So, it was an adorable afternoon we spent together,” and her admiration of the shop as “heavenly displayed.” Here are a few things I asked Raquel during our workshop tête-à-tête.

* * * * *

Where have you taken classes previously?

Here in Brazil we do not have a school that teaches bookbinding. I’ve relied on the experience of other bookbinders, to learn from them. For the last five years, I have taken many classes.

And were those group classes?

I have only taken three private classes so far, including this one with you. A private class allows me to get to know better the teacher, to ask more questions—and to have exclusive attention.

And how did you find out about my studio originally?

I googled for Chicago Bookbinders ... and your name was the first on the list. Then I started to follow you at IG and found out about your gorgeous taste for making things pretty.

I'm flattered that you chose to spend one of your Chicago days in my shop with me!

I thought it would be a better invested money than taking a tour somewhere in the city!!! LOL! But I am taking tours too! I would say to anyone traveling: book an extra night wherever you go, to take time to do something you would love, new or not, and could not only have the experience, but also bring back home a part of this trip, like a handmade book. My book is the best souvenir I could bring back home and it will always make me think about the time we spent together. And I had a paper knife on my shopping list but you included it on the workshop! That is awesome! I never got tools included on any class before!

* * * * *

Raquel deployed her new bonefolder and shipping clerk’s knife before she even left Chicago. She spent part of a day in her hotel room, smoothly folding 100 full sheets of Stonehenge paper she’d bought to take home. They travelled safely in her luggage ... and some of them have already been put to perfect use. Here are Raquel’s photos of her newest book with limp-vellum binding. She jokes, “Soon I will have the Bari Collection!”

Intercontinentally,

Bari

Washi this: the tape of things to come

Dear Everyone ~

Robert Petrick was in the studio last weekend
and bought a few new rolls of washi tape.
On Monday, he sent me an email titled "On the Ropes",
with this photo of his "fledgling (but growing) mt collection."
I wrote back, asking whether I could share the photo,
and he replied that it would be fine to talk about
his "washi tape infatuation." He noted,
"My usage so far doesn't come close to the imagination and
variety on display in The Book of Masking Tape and MT."
Robert had been one of the first customers to buy a copy
of this extraordinary book.

I asked Robert a few questions about the role of washi tape in his creative life.
He is a graphic designer and a highly specific communicator.
He included a handful of wonderful photos to illustrate his replies,
and he actually labeled them "figures"
—we love that touch!

What exactly are you using your washi for?

My applications fall into two basic categories: decoration and duty.
(Yes, he really bolded his two categories.)
Sometimes both at once. At the most basic level,
I love using it to label things—binders, books, file folders,
and almost anything in the kitchen that either doesn't have a label,
or would benefit from a better looking one. (fig. 1)

figure 1: my homemade pepper infused vodka

Do you use washi for wrapping?

I do use washi tape on occasion to wrap presents.
I typically wrap in plain paper: either white shelf liner,
the Sunday New York Times or old maps of midwestern states.
So the tape provides the perfect amount of visual detail necessary
to elevate the package to "gift" status.

Do you do anything "designerly" with washi?

Well, I recently used it to obscure the title marking
on a sketchbook that has been reborn to serve another purpose (fig. 2),
and to affix my identification details to the first page of my journal. (fig. 3)

figure 2: a repurposed sketchbook
(old label is under the blue)

figure 3: making a title page

My favourite use, however, is to effectively remove
from sight offensive logos that come, by default, on products.
As an example, this gesture
greatly improved the look of my desk stapler. (fig. 4)

figure 4: a greatly improved, logo-less stapler

* * * * *

Inspired by Robert's photos, I decided to experiment ... and discovered
how amusing it is to display rolls of washi directly on the wall.
I love being able to see all the elements of each pattern at once.
The rolls tended to unroll a bit independently as gravity had its way ...
and Emmy, my nimble shop assistant, suggested that I use a tiny piece of tape
on the wall so that the rolls don't slide downward. Aha!

And of course a snippet of washi provides the perfect finishing touch on my shop packaging.

Sticking to my story,

Bari

Bari's Boston Report

Dear Everyone ~

Last weekend, I taught two bookbinding workshops in Boston at the studio of my dear friend Angela Liguori. Here are some highlights (and the lone low point!) of my time in Boston so far.

First, The Parcel Vanishes! I had shipped ahead a very large, very heavy, very precisely packed box with all the materials for both workshops. It was scheduled to arrive at Studio Carta on Wednesday, but pursued a mysterious path of its own for two days, finally arriving at 4:30 on Friday afternoon ... after I had gone to Dick Blick and Paper Source to purchase replacement book-board, decorative papers, etc. The missing shipping clerk's knives were actually my biggest anxiety. You can't just buy these knives at any hardware or art supply store, so I had racked my brain trying to figure out what we could use instead ... and improvised that butter knives would do the trick in a pinch. Happily, the shipping clerk's knives and their companions materialized in time. Whew.

Angela is the consummate hostess, and her tiny studio has beautiful everything, from natural light to towers of chromatically arranged spools of ribbon, twine & cord. The beribboned backdrop beyond the table with colorful cover papers at each student's place ... reminded me of a kaleidiscope. It was slightly intoxicating—as I hope you can sense from Angela's fabulous photos.

Saturday's Buttonhole Stitch workshop had seven students— the largest class I've ever taught, in the smallest space. We were shoulder to shoulder, happily working in unison, and the mood was calm, focused, and incredibly congenial. Angela magically served up espresso and iced Pellegrino. Several people commented that they spend so much time on the computer, that making something with their hands they can actually touch is so satisfying. (As you know, this is a big theme with me.) Everyone was thrilled to be taking home a completed book and their essential bookbinding tools— and I am delighted to be shipping a much smaller box back to Chicago.

Cat Bennett, who will be teaching at my studio in Chicago in two weeks, was one of the five students in Sunday's Longstitch workshop. As she was folding down her signatures, she smiled and said that now she understood why xacto blades, which she had suggested, couldn't have filled in for the shipping clerk's knives. Later this week, I will take a field trip to Cat's studio and will report!

Beatific in Boston,

Bari

A Blank Book Becomes a Beautiful Backdrop

Dear Everyone ~

I recently had a delightful visit from Sarah Bader.
She is a local longtime customer and the managing director for Gensler, a global architecture firm.
Four or five years ago,
she had purchased one of my Coptic-stitch bindings with a vintage book cover.
A couple of weeks ago,
she came by to show me what she had finally put in her book.
And it is so fabulous that I asked if I could photograph it and share some details.

Her finished oeuvre is a wonderful travelogue,
a beautifully arranged sequence of ephemera collages, sketches,
washi tapes, hand lettering, little notes,
and touches of coloured pencil just for the joy. 
When I asked Sarah if I could interrogate her about her creative process,
she laughed, and said OK.

Did you collect these bits in some particular way?
Hmm well, we always plan our vacations to make sure we don't find out
we were only a block from some architechtural icon or a quirky landmark (that we missed),
so I always have a folder with me. As the days go by,
I gradually replace all of the reference materials I brought with me,
with those bits of stuff I want to take home.

Had you had the intention for a long time to arrange all these bits in a book? 
Your book inspired me to make something special.
I thought of all the things I had collected and felt they would be a perfect match.

You must have had some "process" for laying out your pages.
Your book is too beautiful not to have had some forethought! 
Sorry to say there is no forethought other than
trying to be as chronologically accurate as possible.
I like to center each spread with one idea or image and build around that.

* * * * *
Seeing Sarah's book was such a treat, and an inspiration, for me.
I would have swooned no matter what sort of journal or album she had used for her travelogue,
but the fact that she chose something I had made, just thrills me.
As I have said countless times,
there is something about using a handmade book that feels so perfectly personal;.
(You can read bookbinding details for Sarah's travelogue in the Project Gallery.)

In wanderlust,

Bari

Papers from far-flung lands

Dear Everyone ~

Our shop is home to a truly global assortment of pads and envelopes,
made from a veritable alphabet of papers,
from Aquarella to Zerkall.

We are sometimes uncertain how to pronounce them,
but that doesn't stop us from writing, doodling, drawing, painting,
sketching (you get the idea) all over them.

O, we forgot to mention mailing!
We have created sampling sets of Deluxe Notecards with Matching Envelopes,
from three different European papermakers.
The cards measure 4 x 5¾", perfect for a quick & lovely note.

From left to write:

Pastelli Rivoli
Tower of Bugra
Sumi Cum Laude
Chock-a-Schreibblock

Come on in if you're in town,
to try our Best Test Pens on sample sheets of these papers.

We hope you will pad on over soonish!

Bari

A Delightful Detour

Dear Everyone ~
 
We’d like to invite you (if you are in the vicinity) to come see —
and touch — a swoonable project we recently completed. 
The client has been so generous as to give us a limited-edition copy of JOHNSTON, his family memoir. 
We had the daunting pleasure of binding three pamphlets and four Japanese-style bindings
for 29 limited edition sets and 30 trade edition sets.
We are talking about a total of 413 stitched booklets!
 
You can read about JOHNSTON in the Project Gallery.
Let us tempt you with one extraordinary detail:
The paper for the covers of the limited-edition booklets is made from
tablecloths and napkins that belonged to the client’s grandmother
(the author of the memoir).
 
Many of our appreciators haven’t had an opportunity to see our custom work,
and JOHNSTON is a prime example of a glorious collaboration.
Custom bookbinding and boxmaking continue to be a source of double happiness for us.
We’ve updated the Project Gallery to include not only Johnston
but also several other wonderful commissions.

 We look forward to seeing you soonish!

Bari

Lovely New Arrivals

Dear Everyone ~

We have some lovely new arrivals, and recently completed handmade books,
in the shop & online,
and so we wanted to send you a visual treat!

*
~ Vintage Books Rebound with Blank Pages ~

~ A Handful of Buttonhole stitch Books ~

~ Case-bound, Coptic Stitch, & Long Stitch Books ~

~ Sturdy pocket folders imported from Germany ~

Available in three practical sizes; A4, A5, A6

*

~ Postcard Sets ~

*

~ Woodless Graphite Pencils & Teeny Tiny pencils ~

*

~ The Book of MT Washi-tape ~

...just in case you needed some inspiration
for using your washi tape collection.

*

~ Pen to Paper ~

A beautiful book about artist's handwritten letters, from the archives of the Smithsonian
which include; Georgia O'Keefe, Saul Steinberg
& Ray Johnson, to name a few.

*

~ A Rainbow of Waxed-linen Thread ~

(for bookbinding, gift wrapping or tying on a gift tag)

And our very own thread chart!

*

~ Bird Illustrations ~

Each attached to thick card-stock with photo corners,
& presented inside a cello sleeve.

(limited quantity / in shop only)

*

~ Celadon Bowls ~

~ Gabe Tetrev has mastered this heavenly celadon glaze ~

*

 ~ Bundles of Paper Remnants ~

These charmola bundles of luscious papers
are berribboned with beautiful yarn & a vintage postage gift tag.

...and make a great little stocking stuffer!

*

~ AND ~

Our STUDIO SALE is coming up soon!

Saturday December 9th & Sunday December 10th

~ Noon to 5pm Both Days ~

We look forward to seeing you soonish!

Bari

Online Bookbinding Video!

Dear Everyone ~

We are sooooooo delighted to announce our collaboration with
Steve & Carla Sonheim at Sonheim Creative.

The online class includes four videos,
with step by step instruction on
how to make the buttonhole-stitch binding,
with me, on video!

The online class is open for registration now!

Class Dates: October 24th through November 2nd 2017

~ Now available as a self-study class ~

Read more, Watch the trailer & Register here!

And as always, please feel free to call the studio with any questions!

Happiness!

Bari

Swoon - February 2017

Dear Everyone ~

We Love Books, as is no suprise to you!

And so we wanted to share with you some of the lovely books and sketchbooks that have delighted us in recent weeks.

Beginning with these old books... which we are tempted to turn into new books, but for now are completely smitten with the red stained edges, and the numerous amounts of pressed flowers in each and every volume!

Then there's this book of lovliness; The Art of Marbling!
An edition of 200 of which this is #10. Letterpress printed & actual hand-marbled 'specimans" tipped-on a handful of pages.

If you've been follwoing me on instgram then these might look familiar; Emily Franklin, who teaches our Sketch/Doodle/Draw class purchased one of my sketchbooks several moons ago, and has filled each and every page. We love to see how her work has evolved from the first page to the last.

This book is one of our vintage-book-cover coptic-stitch style books;
(a tongue twister)
It brims with collage on every page & is So Endearing!

And last but not least, Emmy Kennett's (our nimble shop assistant) sketchbook;
We love her whimsy style of drawing, and that she has various uses for her sketchbook.

Writing little notes about this and that, testing different pencils & inks, and experimenting with patterns, one of her favourite things to draw.

Books are a treasure! An essential tool for telling stories, recording moments, to muse & create. Books are a companion, and a keepsake. By making our marks, we see, we learn & we grow. And we Enjoy!!

Swoonfully yours, in books!

Bari

19th Annual Studio Sale

Dear Everyone ~

The center table is brimming with studio sale loveliness!!

Saturday & Sunday from 12 - 5pm

We're looking forward to seeing you!

See you soonish!

Bari