Look! A set of sumptuous Serizawa-covered blank books

Dear Everyone ~

'Tis the week before Christmas, and I have just completed 12 Months of Blank Books covered in sumptuous Serizawa calendar pages from years past. This is an opportunity to wrap your thoughts in your birthday month or another month you favour.

Whenever I'm making a book (or a box), I'm always delighted to discover, or re-discover, how differently various papers behave for: scoring, folding, cutting, tucking, and adhering. Some of the Serizawa calendar pages are from 1962, so they are over half a century old. The mulberry paper is exquisitely tactile. It is still incredibly pliable and strong, even after so many press runs (one colour at a time) under great pressure.

I bought my Serizawa calendars for years and years from Aiko's Art Materials in Chicago, founded by Aiko Nakane in the mid-50s. She gradually turned over the running of the shop to Chuck Izui, who maintained an extraordinary and inspiring inventory of Japanese paper pleasures and treasures until 2008. In addition to my almost countless fond memories of times in the shop, I will always "channel" Aiko and Chuck's sensibilities when I open the drawers of the card cabinet Chuck gave me when Aiko's closed. The cabinet now anchors my postcard wall and displays usable vintage postage packets and various other papery things.

Over the years, I have used pages from the Serizawa calendars to make bags in which to present flat and flattish things. I recently decided to "dedicate" a dozen pages to make a set of buttonhole stitch blank books. The covers are from various years, and do not correspond to 2019 in terms of days of the week. But they are truly swoonderful and, as far as I know, unique. If you are able to come by, you are welcome to experience (and gently pat) them in person.

View the entire year here!

Arigato,

Bari

Warm up with winter bookbinding workshops

Dear Everyone ~

We're pleased to debut a trio of new bookbinding workshops.

Interwoven Folio Book is a newish-to-me technique that I love,
from Rachel Hazell's book Bound.

 
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Crossed Snowshoes is a wonderful way to make a two-signature book,
which I like to describe as a "fancy pamphlet,"
with an elegant track of x-stitches down its slim spine.

 
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Long-stitch-link-stitch with Hand-folded Envelopes will be my first
two-day workshop (Saturday and Sunday),
starting with learning how to make your own envelopes.

I'll also be teaching Buttonhole Stitch,
Introduction to Boxmaking, and a Coptic Stitch workshop.

*  *  *  *  *

As 2018 draws to a close, I'm thinking back on it as my Year of Teaching & Learning.
In July, I taught a private bookbinding workshop to Raquel from Brazil,
who showed me a book she had made,
which inspired me to offer my first two-day workshop.
In September, I was a guest instructor in Boston—
where I learned that I can teach seven students simultaneously in a smallish space!
Private and semiprivate classes proved extremely popular this year.

A "private workshop" can of course be for just one student,
but it can also be for a small group of people you invite,
making the class an even more congenial gathering.
And if you would like to give someone a specific workshop
as a gift, our gift certificate is lovely and customizable—
surprising in a stocking, memorable by mail.

To order a gift certificate or plan a private gathering, please call or e me.

Teaching up a storm,

Bari

Studio sale without fail

Dear Everyone ~

We are pleased to offer this preview of our twentieth (XX) annual studio sale.

 
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Artfully assembled assortments,
bundled (beribboned to boot!) bonanzas & charmola tchotchkes.
An 'xtravaganza of Yuletide zeal!

And, of course, books.

STUDIO SALE HOURS

Saturday, December 8 & Sunday, December 9

From 12:00 to 5:00 pm

Your handwriting is inviting

Dear Everyone ~

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Your handwriting is a part of you.
It is a kind of placeholder for you.
If you write less often by hand than you used to,
your handwriting may strike you as rusty,
scrawly, or generally ungraceful.
You may not love how your handwriting looks,
but the recipients of your occasional notes, cards, envelopes,
or any scrap, shard or snippet ... associate it with you.
They don't critique your writing—they experience
a moment of familiarity and even anticipation.

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Now that the gift-giving season is upon us,
it's time to enjoy putting your handwriting on paper.
You do not need to agonize, or to buy an expensive pen,
or even to practice. Here are stylish ways
to enhance your communiqués for the holidays.

*  *  *

Initials, writ large on a small envelope, always seem personal.
You may find it relaxing, and even amusing, to embellish them.

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Writing on washi tape is a "double glammy." It's unexpected.
And, used as a closure, washi tape is so smooth & easy to undo.

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Frame your message in a washi tape border.
You can color coordinate to your envelope or package.
And you can reposition if your tape goes askew.

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Sharpen your coloured pencils.
Colouring in a tag or label can make it festive,
playful, and personal. If you have a favourite doodle
(a star, a flower, a squiggle),
try adding it as part of your signature.

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If you are personally (as differentiated from electronically)
enveloping someone with a seasonal sentiment or winter wish,
a generous sprinkling or sparkling of your very own handwriting
will make it that much more memorable.

With a penchant,

Bari

Washi Watch: Dispense your tape in style

Dear Everyone ~

Rolls of washi tape have been known to hide under wrapping supplies,
and even to roll off the table. To subdue your rogue washi,
to dispense with wrapping chaos, I recommend these nifty, newly arrived
official washi tape dispensers. They have a serrated edge and a magnetic side,
so you can link them together or affix one to your refrigerator or knife rack.
They can also stand on end, which is my personal preference
(at least so far).

The dispensers are currently in stock in four colour schemes.
Guess what? Each dispenser comes in its own little box,
which I'll gladly gift wrap with an excess of self-referential washi t

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And, speaking of washi tape, new patterns have arrived.
Die-cut Labels has undulating edges that are to die for (hint).
Blackboard has chalky white flourishes,
AND you can write on the tape with a metallic gel pen.
Swoon.

Washi tape is wondrous for bedecking packages (both boxes & bags)
in a way that the recipient can open neatly, even fluidly.
If you fold one end of the strip under, sticking it to itself,
you can create a professional "tape tab" that makes removal even easier.

Washi tape is also terrific for trimming: envelopes, postcards, boxes
(most notably around the lid), and things we haven't thought to try yet.
If you email me a photo of your "washi work,"
I'll slow mail you a postcard!

Nota bene:
This Wednesday, November 21, the shop will be closed.
We will reopen on Friday, November 23, at noon.

P.S.
In our online shop, you'll find several new boxes, including
some with interior dividers. I've made a handful of new books, including
Coptic-stitch bindings with vintage book covers.

Wishing you a delicious holiday,
Bari

Deck the Desks

Dear Everyone ~

Please join us for a wonderland weekend of gift-giving inspiration,
epistolary enticements, and hand-crafted hospitality.
Surprises in store in store!

20th Annual Studio Sale

Saturday, December 8 & Sunday, December 9

From 11:00 to 5:00

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If you've resolved to keep a journal in the New Year, we'll have an array of freshly covered blank books, plus a limited supply of oldies-but-goodies from seasons past. If you want to up (or update!) your wrapping game, check out new washi tape designs and our Japanese-paper covered butterfly clips. If you have a penchant for paper scraps, you'll be indulged and beribonned. Why be stationary at home when you can revel in stationery samplers?

In anticipation,

Bari

Ann + Robyne’s matrimonial paper capers!

Dear Everyone ~

Over the years, I have had the pleasure of making books, albums,
and boxes for many couples celebrating their wedding or anniversary.
I always love being part of these commemorations.
Recently, I made a book and a box for Ann and Robyne to give each other—
without Ann knowing I was collaborating with Robyne,
and without Robyne knowing I was collaborating with Ann.
Their matrimonial machinations had a delicious layer
of stealth between the two gifts.

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First: Ann came in at the suggestion of Maria Grillo,
who was designing the wedding invitation package,
including a very special no-gifts card inviting guests to pay it forward by
"doing something kind for someone without their knowing—and tell us about it."
People described their "kindness" on their postcards and mailed them back.
Delightful detail: Maria also created two custom postage stamps
with watercolor illustrations echoing the wedding palette.

Meanwhile: Unbenownst to Robyne, Ann wanted to make a box to hold the cards as a wedding gift.
When Ann came in to discuss this, I suggested that she might like to "delegate"
the responsibility of making the box to me. We selected papers to complement
the cards that would reside in the box. Ann then mentioned that she would be
bringing Robyne by to finalize the selection of their guest book ...
and asked that I not let on about the box.

Then: Ann and Robyne came in for the guest book errand,
and Robyne, who is not a paper person per se, was rather captivated by the shop.
The guest book they chose is a long-stitch binding covered in vintage
Katazome paper in a geometric pattern. They also decided to select an assortment
of my Japanese paper-covered mini-pencils to include in gift bags for their out-of-town guests.

Next: The following week, Ann came by to pick up the box on her way out of town.
Just a couple of hours later, who should show up but Robyne,
bringing a small bag of notes and ephemera they had given each other.
She wanted to make these into a gift!

Here's how Ann and Robyne later described their inspirations
for their gifts to each other—and their no-gift policy for their guests.

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Both: We neither needed nor wanted traditional gifts,
and one of the characteristics we most treasure in one another is kindness,
so that became the focus of our ceremony, which was small by design.
Our guests sent back postcards describing beautiful stories offered spontaneously
as well as kindness proffered when reaching out was very difficult.
We were inspired by these narratives. Oh, and we also "responded" to our own request
by extending kindness in serveral situations where doing something good
could make a difference.

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Ann: I knew that I wanted to give Robyne a special wedding gift,
and because I love paper and all things Japanese, I wondered if I could find
or even make something. After discussing various options with Bari,
it was clear she realized that as a novice, I was not likely to rise to my own standards
if I were the box-maker. Bari guided me through the process of also creating
the interior of the box that would feature our wedding "logo": XO ROBYNE + ANN,
in foil-stamping. We didn't take the box to the reception because
we had asked our guests to submit their responses just to us,
and we wanted to honor their privacy.

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Robyne: I so wanted to give Ann something personal and meaningful as a wedding gift.
We have so many things, and typically buy what pleases us as we go along.
One of the most wonderful things about our relationship is the sharing of notes
and cards that capture our joy and love. For years I've been saving them,
tucked away in boxes scattered throughout the house.
I thought a collection of these mementos would be a wonderful way
to confirm and affirm our love for each other.

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For weeks I stole time to look through
these precious memories and carefully re-hid them before Ann would arrive home.
Sorting finally became random—they were all my favourite!
After meeting Bari with Ann, I knew she would be perfect for this task.
Thankfully, Ann had asked me to pick up some extra mini-pencils for our gift bags,
and so I had the perfect opportunity to consult and ultimately
give this project to Bari. Volume One is now completed!
There is so much more and so many years to collect.

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* * * * *

And, there is so much more artistic detail and sweet sentiment to this story.
I am in deep bow to Ann and Robyne for their willingness to share
their celebration of love and for their exquisite thoughtfulness.
Traditionally, the first year anniversary is known as the Paper Anniversary.
I can't help but wonder what Ann and Robyne might do for each other next September!

Swoonfully,

Bari

Saint-Armand chic: 100% luscious, fluffy cotton papers

Dear Everyone ~

I'm delighted to herald the arrival of our inaugural order from Saint-Armand Papermakers
in Saint-Armand, Quebec. Handsome pads are now stocked in two sizes and three colours,
all with a sumptuous natural deckle along the bottom edge.
The smaller pad is 6 x 6; the larger is 9 x 10. The papers are made from tee-shirt
and denim trimmings, with no chemicals at all. They feel as fabric-like as paper can get!
A couple of papery connoisseurs—Janet and Tom—have already enjoyed
experimenting on the Saint-Armand and shared their delight.

Janet—retired English teacher, avid knitter, and watercolour enthusiast—
has shown me some of her new drawings and paintings. She remarked,
"I like its tooth and its heft. The paper's texture is not simply visual.
I'm really aware that I'm painting on Paper with a capital P."
She added "It seems a bit more absorbent than cold press paper,
or at least the watercolour lies on it somewhat differently.
I'd say the colour almost blooms a bit. In fact, my fountain pen also bled a little.
The lines thickened slightly, but I don't see this as a negative—
it somehow adds to the drawing's personality."

Tom, a lifelong artist, "sketched" (as he calls it) in gouache on the Saint-Armand,
and technically but charmingly described its many pleasures:
"the supple thickness," "the attendant absorbency," "the consequent variegated bleed,"
and "such luxurious paper for the likes of me!" He rhapsodized,
"As with all things let's not stint ourselves and others
and make the correct choice."

For the curious: These sketches are Tom's preliminary vision
for an upcoming installation (March 30!) to celebrate
the 40th season of Links Hall.

* * * * *

I couldn't resist buying an assortment of handmade papers from Saint-Armand
for my own bookbinding ecstasy. I agonized (only briefly) over the 32 colour choices,
settling on these four: mineral green, pale blue, plummy eggplant,
and subdued chartreuse. I taught a private limp-vellum binding class last week;
my student selected the mineral green for her cover.
And, I've already used the pale blue as the cover for a long-stitch binding.
If you're able to come by, please take a few moments to see—and touch—
the glorious samples we've received of the other colours.

A bientôt,

Bari

A Rio Grande Day at Bari Zaki Studio

Dear Everyone ~

I'd like to tell you about meeting & teaching Raquel, my new bookbinding friend from Brazil.

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We met last spring through instagram, after I'd posted an image of a book I'd made with a limp-vellum binding. Raquel insta-messaged me that she'd love to buy the book, but we found that the shipping, on top of the exchange rate, would take all the fun out of it.

Then, I scrolled through her feed and saw that she had experience making books. When Raquel told me she already had a summer visit planned to Chicago, I suggested that she take a private workshop ... and then not only would she have a limp-vellum book she had made herself, but she would also know how to make more!

I knew from Raquel's insta-messages that she is very chatty, and comfortable communicating in English. She is a ball, or maybe a whirl, of enthusiasm. Her husband is Japanese, but wasn't born in Japan and doesn't like sushi. The name of her site, Mãe do Japinha, means "mother of the Japanese boy."

On the appointed day in July, Raquel settled in, perused the shop and studio, and promptly posted a story on instagram about being here. She had brought me a gift of Braziliana—coffee and cashews—in a tote bag she'd sewn herself. In person, Raquel has a delightful accent and a hilarious sense of humor.

When we started to work, I discovered that Raquel was even more nimble than I'd anticipated, so I adjusted the way I taught her. For some steps, we worked in tandem; for others, she took copious notes as she followed my lead. More than once she taught me some things! And her book turned out so beautifully.

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My absolute favourite descriptions from Raquel's follow-up emails were: "So, it was an adorable afternoon we spent together," and her admiration of the shop as "heavenly displayed." Here are a few things I asked Raquel during our workshop tête-à-tête.

* * * * *

Where have you taken classes previously?

Here in Brazil we do not have a school that teaches bookbinding. I've relied on the experience of other bookbinders, to learn from them. For the last five years, I have taken many classes.

And were those group classes?

I have only taken three private classes so far, including this one with you. A private class allows me to get to know better the teacher, to ask more questions—and to have exclusive attention.

And how did you find out about my studio originally?

I googled for Chicago Bookbinders ... and your name was the first on the list. Then I started to follow you at IG and found out about your gorgeous taste for making things pretty.

I'm flattered that you chose to spend one of your Chicago days in my shop with me!

I thought it would be a better invested money than taking a tour somewhere in the city!!! LOL! But I am taking tours too! I would say to anyone traveling: book an extra night wherever you go, to take time to do something you would love, new or not, and could not only have the experience, but also bring back home a part of this trip, like a handmade book. My book is the best souvenir I could bring back home and it will always make me think about the time we spent together. And I had a paper knife on my shopping list but you included it on the workshop! That is awesome! I never got tools included on any class before!

* * * * *

Raquel deployed her new bonefolder and shipping clerk's knife before she even left Chicago. She spent part of a day in her hotel room, smoothly folding 100 full sheets of Stonehenge paper she'd bought to take home. They travelled safely in her luggage ... and some of them have already been put to perfect use. Here are Raquel's photos of her newest book with limp-vellum binding. She jokes, "Soon I will have the Bari Collection!"

Intercontinentally,

Bari

Washi this: the tape of things to come


Dear Everyone ~

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Robert Petrick was in the studio last weekend
and bought a few new rolls of washi tape.
On Monday, he sent me an email titled "On the Ropes",
with this photo of his "fledgling (but growing) mt collection."
I wrote back, asking whether I could share the photo,
and he replied that it would be fine to talk about
his "washi tape infatuation." He noted,
"My usage so far doesn't come close to the imagination and
variety on display in The Book of Masking Tape and MT."
Robert had been one of the first customers to buy a copy
of this extraordinary book.

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I asked Robert a few questions about the role of washi tape in his creative life.
He is a graphic designer and a highly specific communicator.
He included a handful of wonderful photos to illustrate his replies,
and he actually labeled them "figures"
—we love that touch!

What exactly are you using your washi for?

My applications fall into two basic categories: decoration and duty.
(Yes, he really bolded his two categories.)
Sometimes both at once. At the most basic level,
I love using it to label things—binders, books, file folders,
and almost anything in the kitchen that either doesn't have a label,
or would benefit from a better looking one. (fig. 1)

  figure 1:  my homemade pepper infused vodka

figure 1: my homemade pepper infused vodka

Do you use washi for wrapping?

I do use washi tape on occasion to wrap presents.
I typically wrap in plain paper: either white shelf liner,
the Sunday New York Times or old maps of midwestern states.
So the tape provides the perfect amount of visual detail necessary
to elevate the package to "gift" status.

Do you do anything "designerly" with washi?

Well, I recently used it to obscure the title marking
on a sketchbook that has been reborn to serve another purpose (fig. 2),
and to affix my identification details to the first page of my journal. (fig. 3)

  figure 2:  a repurposed sketchbook  (old label is under the blue)

figure 2: a repurposed sketchbook
(old label is under the blue)

  figure 3:  making a title page

figure 3: making a title page

My favourite use, however, is to effectively remove
from sight offensive logos that come, by default, on products.
As an example, this gesture
greatly improved the look of my desk stapler. (fig. 4)

  figure 4:  a greatly improved, logo-less stapler

figure 4: a greatly improved, logo-less stapler

* * * * *

Inspired by Robert's photos, I decided to experiment ... and discovered
how amusing it is to display rolls of washi directly on the wall.
I love being able to see all the elements of each pattern at once.
The rolls tended to unroll a bit independently as gravity had its way ...
and Emmy, my nimble shop assistant, suggested that I use a tiny piece of tape
on the wall so that the rolls don't slide downward. Aha!

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And of course a snippet of washi provides the perfect finishing touch on my shop packaging.


Sticking to my story,
Bari